“Quantity humiliates.68”p40
"68. TI, 137, 274" p 143"
From Timothy Morton, The Ecological Thought.
(TI, Emmanuel Levinas, Totality and Infinity: An Essay on Exteriority)
In the introductory sequence to
each episode of Clever
Apes, a science segment on WBEZ, a Chicago-based NPR affiliate, a small
explosion sounds its bang and a kid goes “Whoa!” That’s the sound of science.
But it may be more than
that. The frisson of a fantastic bang
can reverberate as the disciplines collide and that sound alone might be reason
enough, says Tim Morton author of The
Ecological Thought, to tempt us to indulge in an interdisciplinarity
exchange. “The ecological thought”, Morton
writes, “is intrinsically queer.
(Joining ecological thinking with thinking on gender and sexuality would
make a fantastic bang, and this is reason alone to try it.)”
The ecological thought is that everything
is connected, the living, the dead and the never-alive. Intertwined in this
mesh are strange strangers, entities with whom (with which?) we are connected
and yet cannot predict. The more we
learn about our mesh-mates the more crepuscular they seem. There is more to say on this, in fact there
will quite literally always more to say about this because there is no bottom
to get to – it is a mesh. I am
re-reading The Ecological Thought with colleagues at DePaul’s University’s
Institute for Nature and Culture and will write more specifically about the
book in the coming weeks.
For now, I want to comment on
Tim’s work as an interdisciplinary model. Not to promote it as the model, but
rather to ask what sort of interdisciplinarity it might represent, and moreover
to show what this particular species of interdisciplinarity looks like. I want to quantify it.
Now, if there ever was a thought
that’s going to transcend a discipline it will be the ecological thought, since
the ecological thought contains the disciplines that might try to grapple with
it. In her taxonomy of
interdisciplinarity (ID) Julie Thomson Klein reported that the defining
characteristic of transciplinarity TD (let’s assume here that TD is a variant
form of ID) is that it is transcending, transgressing, and transforming. [1] That the topic of Tim’s book is transcending
cannot be in much doubt for the reason stated above. As we are pushed to the brink in thinking the
ecological thought we are “goad[ed]..to greater levels of consciousness, which
means more stress, more disappointment, less gratification(though perhaps more
satisfaction), and more bewilderment.”
(ET, 135.) The ecological thought
transgresses in that we can’t be the same having really thought it. If Tim is correct we can’t be the same
because the thought nags us with the realization that we were never what we
thought we were. We are part of a
mesh. We have transgressed (Latin, transgredī, to step across, OED) – we
have leapt out of our own skin, which never was much of a boundary anyway. The ecological thought will transform us – it
already has.
If other writers are like me –
not a fully robust assumption, I realize – then they engage with an
interconnected web of other writers whose work they seek out in order to
amplify their own. Before a writer’s
work is out there, that is, before the work they are working on right now is out there – for instance
this work you are reading, but not,
in fact, as you now read it, rather
as I write it –, before the work is in the ether or on the page as just one piece
of text among those others, then the engagement with other writers is a
lopsided affair. The writers I employ to
bring out the flavor of my own thought cannot be influenced in the exchange,
except in as much as every reader will behold a different text, one determined
by their interests. I skim here, I
re-read elsewhere. I use the index, I
read a footnote or two. I read forward,
I read back. I circle around. Their thought is not the same to me, not precisely
anyway, as it is to you, nor even the same as I will be to me when I read it
again for another purpose. Perhaps the
piece I write at a given time has been influenced by something I read a decade
ago, or perhaps a dream, or a conversation and so forth. In as much as it comes to me in words it is
already a social project. And then I
write and I read, corroborate, I shore up my argument, I change my mind
(occasionally), I edit, I submit.
I like writers who commemorate
their exchange with other writers in an ample bibliography. Or better still when they let references
drizzle down the sheet to accumulate in the white gutter at the page end. A detrital rain of ideas used up in the
cloudburst above them. Or perhaps a
better way to think about this is that the footnotes/endnotes provide a safety
net into which the writer or reader can release themselves when they falter in
the trapeze-act of reading. Look, it’s
not just me saying this stuff, I’ve been in conclave with Foucault, or Kant, or
Morton on this point!
It is not as if the works
consulted became the building blocks from which the piece was constructed. A little bit of Marx here, some Darwin there,
a brick or two of Lefebvre, Diamond, Huxley etc would make a very rickety
house. And yet, if those texts have well
been read they will, at the very least, flavor a banquet, to switch metaphors. Conferred works may be in fact more like marinade
than the ingredients for the meal. Though
the marinade is removed before the final cooking, one can often guess at their ingredients
as one savors the juices. Can it work in
reverse? When you look at the endnotes
can you guess at the meal you are about to be fed? Or at the very least can you evaluate the solicitousness
of the chef? Yoghurt, lemon juice,
cumin, cinnamon, Serrano pepper, and fresh ginger? It must be tikka chicken! Balsamic vinegar, Greek olive oil, crushed
garlic, salt and pepper. Grilled vegetables
anyone?
So what are the ingredients of
the marinade in which Tim Morton drenched his neurons as he prepared the dish
he calls The Ecological Thought?
First a note on methodology. I classified all of Morton’s footnotes into
the following categories (Popular) Culture, Environmental Writing,
History/Cultural Studies Literature, News story, Philosophy, Psychoanalysis,
Reference, Science, Self-reference (including short explicatory notes),and
Theology. The allocations were made in a
rough and ready fashion. (I started the
exercise as I made pancakes on Sunday morning for my kids.) In general I used the disciplinary home of
the author being referred to in making my designation. However, one runs into problem here. Daniel Dennett is a philosopher. Does his book Darwin’s Dangerous Idea represent science or philosophy? I classified it as the latter. Many of the books that Morton used are
interdisciplinary in nature, but since I wanted to interrogate the foundations
of Morton’s interdisciplinarity I wanted to drill down a little to the
disciplinary home of the footnote where this was possible (and in general it
was).
Drum roll please! There are 474 endnotes
appended to The Ecological Thought
34% of which are philosophical references.
31% of the sources are scientific ones.
No other category represents more than 10% of the total. If this was an ecological community it would
be one dominated by a couple of common beasts, and with a trailing edge of
rarer species. Theology is the rarest of
the rare, the strangest stranger, in Tim Morton’s ecological community with
about 1% of all footnotes referencing the discipline.
Treating Morton’s endnotes as a
menagerie rather than as marinade suggests that an analysis of species
diversity might be appropriate. So I
applied the Shannon diversity index to the data. The metric is easily calculated as H'= -Σ(Pi)
* lnPi, where Pi is proportion of the ith
species. Although it’s used extensively in the
analysis of ecological community data the index, strangely enough, derives from
efforts to quantify the entropy of strings of text![2] Overall, the Shannon diversity of Morton’s endnotes is in The Ecological Thought is 1.79.
In comparison, the bird community in Derrycunihy woodland in Killarney
National Park in Ireland is just a little higher at 2.4! [3] The evenness (a measure of the distribution
of the footnotes over the "species" of disciplinary categories - calculated as H'/lnS) of Morton’s community is 0.74
compared with 0.8 for the bird community.
For further comparison, the diversity of references in one of my recently
co-authored ecological papers using the same categories is 0.26, with an
evenness of 0.24. My writing is a
virtual interdisciplinary desert, though if I used categories like restoration
ecology, theoretical ecology, ecological methods etc it would score higher. It would be useful to compare Morton against
other contemporary writers on the environment, which I will do as I prepare
dinner this evening, but at first glance Morton’s thought is as diverse as a
community of woodland birds.
The bottom line for now is that the
ecological thought transcends the disciplines.
Though one might get at ecological insight with a pinch of salt and a
dash of pepper one cannot get to the ecological thought without bathing in a
complex marinade. Tim Morton is an
interdisciplinarian with transdisciplinary plumage. He is, it seems, a man who knows his way
around the academic kitchen – if he was not, the ecological thought would have
been desiccated fare.
[1] Klein J T (2010) A Taxonomy of Interdisciplinarity in The Oxford Handbook of
Interdisciplinarity Edited by Robert Frodeman Julie Thompson Klein and Carl
Mitcham. Oxford University Press.
[2] “Diversity Index”, Wikipedia
[3] Anne E. McGurran, (2004) Measuring Biological Diversity
(Blackwell Publishers)
Nice. Just want to add that, seeing as the theological is only 1% it might be odd that the books seeks an upgrade of a religiosity, animism. Personally I read the work as religious and in a very contemporary new materialist sense, which I guess makes sense given that religion has always been interdisciplinary despite modern attempts to shake it into specific categories.
ReplyDeleteThinking has always been multi and the academy always reluctant to embrace this due, no doubt to its elite status and dependence upon categories, interdisciplinary the latest of these.
Nice post
I'd be interested to hear both how Morton would see this characterization, and how many others read a sort of pantheism or animism in his work. Certainly a big appeal for me in the work is that he does not shy away from the "dark" side of all of this. His willingness to peep behind the curtain certainly sets him apart from more sentimental environmental accounts. And this strikes me as very necessary.
ReplyDeleteThe marinade analogy is a very flavoursome one, Liam. It always fascinates me, worries me, makes me wryly amused -- depending on my moood -- that after I have taken copious notes on many texts, highlighted them and formatted them in all sorts of ways, I then just sit down and write the damn thing, and rarely feel a strong urge to go back and check that I have used all the potential ingredients, as it were. Is this a strength or a weakness as a writer, inspiration (perspiration of the marinade perhaps...) or slovenly laziness? I don't know.
ReplyDeleteThe other model of interdisciplinary work that I have at the moment in that of Michel Serres. Serres uses no footnotes or bibliography. Perhaps this is the most evolved form?
ReplyDelete